This story of a man’s lifelong entanglement with his sister is not only a love story; it manages also to be a fairy tale, an epic, a philosophical treatise on the nature of time, a parody of the history of the novel, and an erotic catalogue. It concludes with an ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom. Ada, or Ardor, published just after Nabokov’s seventieth birthday, is the supreme work of a virtuosic imagination at white heat.
Nabokov is the most allusive and linguistically playful writer in English since Joyce, and like "Pale Fire" and "Lolita," his new novel abounds in delightful minor parodies and pastiches, countless multilingual puns and literary jokes.
Ada or Ardor is at its core a love story, the stuff that’s sold reams of pop music, and piles of books. Van, fourteen, falls in love with twelve-year-old Ada during a summer vacation. This premise is possibly the only aspect of Ada or Ardor common to numerous other novels. Van, an unreliable narrator if there ever was one, tells the story, while the narrative shuttles seamlessly from a first person to a third person - trust Nabokov the Enchanter to achieve that trick.
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About the Author
Vladimir Nabokov (1899-1977), born in St Petersburg, exiled in Cambridge, Berlin, and Paris, became the greatest Russian writer of the first half of the twentieth century. Fleeing to the US with his family in 1940, he then became the greatest writer in English of the second half of the century, and even 'God's own novelist' (William Deresiewicz). He lived in Europe from 1959 onwards, and died in Montreux, Switzerland. All his major works - novels, stories, an autobiography, poems, plays, lectures, essays and reviews - are published in Penguin Modern Classics.
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