In ancient India, women competed to win the title of Nagarvadhu, quite literally the town’s consort.
For certain temple worship (Agamas), dance and music were necessary ingredients. The women artists dedicated to the worship—Devadasis and Maharis—had a high rank and dignity in society.
Tawaifs were central to Mughal court culture from the sixteenth century. It is also believed that young heirs were sent to courtesans to learn ‘tameez’ and ‘tehzeeb’, including the appreciation of good music and literature.
Courting Hindustan is a deeply researched, elegantly crafted portrait of some of the most intriguing women figures practising traditional Indian entertainment art forms such as, music, dance and poetry. It relives 2,500 golden years of women being elite traditional performers and how, over the centuries, they have captured the imagination of the country and the world at large, their art and lives being a complex response to social forces and cultural conditions.
Courting Hindustan delves into the scintillating world of courtesans who went on to become empresses, queens, prima donnas, pioneer filmmakers, music directors, ace dancers and so much more. Many of them went on to rule kingdoms, enjoyed positions of great power; many were venerated by governments and yet they lived on the fringes of society. In many ways, these were women, first of their kind, to survive an entrenched patriarchal society and break the chains imposed on them, paving the way for generations of women to come and conquer.
Review
‘In this insightful book, Madhur Gupta covers two-and-a-half millennia of history, unfolding the lives of the female courtesans who have sadly been maligned and ignored. Gupta, an accomplished Odissi dancer, strives to repair this injustice, producing a fascinating story in the process.’
—Dr Shashi Tharoor Author, politician and former international civil servant
‘Choosing to be an artist has, throughout time, been a brave and radical decision. When the person making that choice is a woman, then the barriers and discrimination women have faced in society in general only serve to multiply the difficulties of an artist’s life. Given the circumstances, Madhur’s book is a breath of fresh air. A consummate Odissi dancer himself, his understanding and love of the arts informs every story he shares. His book does a great service in undoing the erasure of so many incredible female artists who came before.’
—Anoushka Shankar Sitar player, film composer and activist
‘Women have not been given their very much-deserved and due importance historically as well as in the present time in the social structure of India. Throughout Indian history you will find examples of how women led from the front while men failed to do so. I pray that when this book is complete and in circulation, it brings an understanding to one and all of the unparalleled bravery and contribution of women of India, past and present.’
—Ustad Zakir Hussain Tabla player, composer, music producer, percussionist and film actor
‘The history of the woman performer in India is the story of intersectionality—of gender, caste, class, religion and region. The glory attached to them, in retrospect, often couches patriarchy and the entitlement of class and caste. Madhur’s book is an important step in pulling away some euphemistic veils and digging into their actual stories.’
—Dr Mallika Sarabhai Indian classical dancer, actress and social activist
‘I congratulate Madhur wholeheartedly on his most interesting project…’
—Zubin Mehta Master conductor of western classical music
About the Author
Madhur Gupta is one of the leading Odissi dance maestros of his generation. The Indian Express has hailed Gupta as one of the few male artists (in a field mostly dominated by women), who not only pursued Indian classical dance with devotion but also excelled at it. Beginning his initial training in Kathak with a maestro like Padma Vibhushan awardee Pandit Birju Maharaj, he was strongly drawn towards Odissi as his life’s calling.
He has also had the fortune of interacting and learning from masters like Madhavi Mudgal, Bichitrananda Swain and Kumkum Lal. Madhur is currently in advanced training under the renowned dancer and Guru Smt Sharon Lowen in the Padma Vibhushan Guru Kelucharan Mohapatra style of Odissi.
Apart from extensively touring, performing and writing, Madhur also teaches Odissi at Sangeet Vidya Niketan, New Delhi.