Born in 1953 in Old Dhaka, Shahidul Zahir published only six works in his short life - but these are some of the most unique and powerful works of fiction to have come out of the subcontinent, blending surrealism, folklore, oral storytelling traditions, magic realism, a searing understanding of social and political reality, and rare clarity of vision.
I See the Face is an alternative telling of the story, or history, of Bangladesh, beginning with the War of Liberation in 1971. Moving effortlessly from the past to the present, and back again, Zahir paints a picture of the crisis of post-independence Bangladesh and describes how society or the State drives a poor but brilliant boy to destruction. There is biting wit and humour, and above all, a kind of ethereal understatement which make the reading experience an incomparable one. With I See the Face, Shahidul Zahir surpasses himself.
Haunting and apocalyptic ... a literature of the future-Siddhartha Deb
Arresting ... amplifies our sense of what fiction can do -- Amit Chaudhuri
Unforgettable -- Jerry Pinto
Short, pithy, compact ... unsettling the present and casting a dark shadow on the future -- Rakhshanda Jalil, The Wire
A rare gift ... Zahir synthesises hard-hitting social realism with a surge of surrealist paranoia to forge a style that keeps the reader on tenterhooks -- Somak Ghoshal, Mint
Transcends boundaries of genre and language -- The Hindu
Zahir, through this prose, has the ability to make the readers revisit and re-evaluate some of the most important truths of life -- Devapriya Sanyal, Sunday Standard
Born in 1953 in Old Dhaka, Shahidul Zahir published only six works in his short life - but these are some of the most unique and powerful works of fiction to have come out of the subcontinent, blending surrealism, folklore, oral storytelling traditions, magic realism, a searing understanding of social and political reality, and rare clarity of vision.
I See the Face is an alternative telling of the story, or history, of Bangladesh, beginning with the War of Liberation in 1971. Moving effortlessly from the past to the present, and back again, Zahir paints a picture of the crisis of post-independence Bangladesh and describes how society or the State drives a poor but brilliant boy to destruction. There is biting wit and humour, and above all, a kind of ethereal understatement which make the reading experience an incomparable one. With I See the Face, Shahidul Zahir surpasses himself.
Haunting and apocalyptic ... a literature of the future-Siddhartha Deb
Arresting ... amplifies our sense of what fiction can do -- Amit Chaudhuri
Unforgettable -- Jerry Pinto
Short, pithy, compact ... unsettling the present and casting a dark shadow on the future -- Rakhshanda Jalil, The Wire
A rare gift ... Zahir synthesises hard-hitting social realism with a surge of surrealist paranoia to forge a style that keeps the reader on tenterhooks -- Somak Ghoshal, Mint
Transcends boundaries of genre and language -- The Hindu
Zahir, through this prose, has the ability to make the readers revisit and re-evaluate some of the most important truths of life -- Devapriya Sanyal, Sunday Standard
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