First published in 1905, German poet Christian Morgenstern's Im Reich der Interpunktionen (In the Land of Punctuation) is a comic poem on the flow of language—and the breaks in it. Punctuation signs are markers of pauses, interruptions, asides and stops. But they also point to intonation, intent and emotion... a fact used brilliantly by Morgenstern to turn them into charac-ters with their own agendas, in a drama that careens towards an inevitable end. It is a fun romp, and yet the political undertones are unmistakable, suggesting menacing systems of control. Adding a new dimension to the connection between marks and meaning, graphic designer Rathna Ramanathan illustrates this translated version of the poem with punctuation signs. She evokes older traditions like calligrams and the art of the Russian Constructivists, while developing her own ingenious—and very contemporary—idiom. Her visual grammar balances bold exper-imentation with precise communication, creating an artist's book at the crossroads of language, graphic design and politics. This signed, limited edition book has been silkscreen-printed and bound by hand on recycled handmade paper, at Tara Books' print workshop, run on fair trade practices.
Review
Ramanathan's genius (and there can be no doubting her genius here), is such that In The Land Of Punctuation evokes a complete sense of time and space, it's a world as familiar to us as our own, with characters as obvious to us as any human. And though the story takes over we never escape that what's presented before us is beautiful design at work.-- The Illustrated Forest blog Beautifully designed by Rathna Ramanathan, the images through which the verses develop are all 'assembled' typographically, using only punctuation marks as both independent characters and visual signs forming the elements of the landscape. -- Observatory Mansions blog
About the Author
Christian Morgernstern is a late nineteenth century German poet whose dark and capricious verse was inspired by English Literary nonsense. A satirist of the highest order, his work has continued to delight generations of Germans. Rathna Ramanathan, principle of Minus9 Design, is from Chennai, India and is currently based in London. She holds a phd in the History of Graphic Communication and Typography at the University of Reading and an MA in Communication Design from Central St Martins. Rathna has taught design and typography in India and has taught previously at Central St Martin's London. She is currently Head of Visual Communication at the Royal College of Art, London. She is the Association Typographique Internationale [ATypI] Country Delegate for India. A practising designer, Rathna splits her time between India and the UK and her work for Tara Books has received a number of international design awards. Sirish Rao is a writer interested in children's books and the arts. He lives in Canada and India.