International Booker–nominated virtuoso Hwang Sok-yong is back with another powerful story - an epic, multi-generational tale that threads together a century of Korean history.
Centred on three generations of a family of rail workers and a laid-off factory worker staging a high-altitude sit-in, Mater 2-10 vividly depicts the lives of ordinary working Koreans, starting from the Japanese colonial era, continuing through Liberation, and right up to the twenty-first century. It is at once a powerful account that captures a nation’s longing for a rail line to reconnect North and South, a magical-realist novel that manages to reflect the lives of modern industrial workers, and a culmination of Hwang’s career - a masterpiece thirty years in the making. A true voice of a generation, Hwang shows again why he is unmatched when it comes to depicting the grief of a divided nation and bringing to life the cultural identity and trials and tribulations of the Korean people.
‘Undoubtedly the most powerful voice in Asia today.’
-- Nobel Prize–winner Kenzaburo OePraise for Familiar Things:
‘A powerful examination of capitalism from one of South Korea’s most acclaimed authors … [Hwang] challenges us to look back and reevaluate the cost of modernisation, and see what and whom we have left behind.’
- The GuardianPraise for Familiar Things:
‘Hwang Sok-yong is one of South Korea’s foremost writers, a powerful voice for society’s marginalised.’
-- Deborah Smith, translator of The VegetarianPraise for At Dusk:
‘Having been imprisoned for political reasons, Hwang has a restrained, delicate touch, alive to the nuances of memory, the slipperiness of the past, and the difficult choices life forces us to make ... Subtly political, deeply humane, a story about home, loss, and the cost of a country’s advancement.’
-- Kirkus Reviews, starred reviewPraise for Familiar Things:
‘As one of the country’s most prominent novelists, Hwang has never shied away from controversy … With Familiar Things, Hwang turns his attention to the underside of South Korea’s remarkable economic development, namely, the vast underclass it has created.’
- Boston ReviewPraise for Familiar Things:
‘Sora Kim-Russell’s translation moves gracefully between gritty, whiffy realism and folk-tale spookiness.’
- The EconomistPraise for At Dusk:
‘It’s a regretful, bittersweet exploration of modernisation, which picks away at the country’s past and present, slowly becoming a moving reflection of what we gain and lose as individuals and a society in the name of progress … [Hwang’s] writing is laced with the hard-won wisdom of a man with plenty left to say.’
-- Ben East - The ObserverHwang Sok-yong was born in 1943 and is arguably Korea’s most renowned author. In 1993, he was sentenced to seven years in prison for an unauthorised trip to the North to promote exchange between artists in the two Koreas. Five years later, he was released on a special pardon by the new president. The recipient of Korea’s highest literary prizes, he has been shortlisted for the Prix Femina Etranger and was awarded the Emile Guimet Prize for Asian Literature for his book At Dusk. His novels and short stories are published in North and South Korea, Japan, China, France, Germany, and the United States. Previous novels include The Ancient Garden, The Story of Mister Han, The Guest, and The Shadow of Arms.
Sora Kim-Russell has translated numerous works of Korean fiction, including Hwang Sok-yong’s Princess Bari (Garnet Publishing, 2015), Familiar Things (Scribe, 2017), and At Dusk (Scribe, 2018), which was longlisted for the 2019 Man Booker International Prize.
Winner of the 2019 LTI Korea Award for Aspiring Translators and the 2021 Korea Times Modern Korean Literature Translation Award, Youngjae Josephine Bae’s translations include Imaginary Athens: urban space and memory in Berlin, Tokyo, and Seoul (Routledge, 2020) and A Global History of Ginseng: imperialism, modernity, and orientalism (Routledge, 2022).
International Booker–nominated virtuoso Hwang Sok-yong is back with another powerful story - an epic, multi-generational tale that threads together a century of Korean history.
Centred on three generations of a family of rail workers and a laid-off factory worker staging a high-altitude sit-in, Mater 2-10 vividly depicts the lives of ordinary working Koreans, starting from the Japanese colonial era, continuing through Liberation, and right up to the twenty-first century. It is at once a powerful account that captures a nation’s longing for a rail line to reconnect North and South, a magical-realist novel that manages to reflect the lives of modern industrial workers, and a culmination of Hwang’s career - a masterpiece thirty years in the making. A true voice of a generation, Hwang shows again why he is unmatched when it comes to depicting the grief of a divided nation and bringing to life the cultural identity and trials and tribulations of the Korean people.
‘Undoubtedly the most powerful voice in Asia today.’
-- Nobel Prize–winner Kenzaburo OePraise for Familiar Things:
‘A powerful examination of capitalism from one of South Korea’s most acclaimed authors … [Hwang] challenges us to look back and reevaluate the cost of modernisation, and see what and whom we have left behind.’
- The GuardianPraise for Familiar Things:
‘Hwang Sok-yong is one of South Korea’s foremost writers, a powerful voice for society’s marginalised.’
-- Deborah Smith, translator of The VegetarianPraise for At Dusk:
‘Having been imprisoned for political reasons, Hwang has a restrained, delicate touch, alive to the nuances of memory, the slipperiness of the past, and the difficult choices life forces us to make ... Subtly political, deeply humane, a story about home, loss, and the cost of a country’s advancement.’
-- Kirkus Reviews, starred reviewPraise for Familiar Things:
‘As one of the country’s most prominent novelists, Hwang has never shied away from controversy … With Familiar Things, Hwang turns his attention to the underside of South Korea’s remarkable economic development, namely, the vast underclass it has created.’
- Boston ReviewPraise for Familiar Things:
‘Sora Kim-Russell’s translation moves gracefully between gritty, whiffy realism and folk-tale spookiness.’
- The EconomistPraise for At Dusk:
‘It’s a regretful, bittersweet exploration of modernisation, which picks away at the country’s past and present, slowly becoming a moving reflection of what we gain and lose as individuals and a society in the name of progress … [Hwang’s] writing is laced with the hard-won wisdom of a man with plenty left to say.’
-- Ben East - The ObserverHwang Sok-yong was born in 1943 and is arguably Korea’s most renowned author. In 1993, he was sentenced to seven years in prison for an unauthorised trip to the North to promote exchange between artists in the two Koreas. Five years later, he was released on a special pardon by the new president. The recipient of Korea’s highest literary prizes, he has been shortlisted for the Prix Femina Etranger and was awarded the Emile Guimet Prize for Asian Literature for his book At Dusk. His novels and short stories are published in North and South Korea, Japan, China, France, Germany, and the United States. Previous novels include The Ancient Garden, The Story of Mister Han, The Guest, and The Shadow of Arms.
Sora Kim-Russell has translated numerous works of Korean fiction, including Hwang Sok-yong’s Princess Bari (Garnet Publishing, 2015), Familiar Things (Scribe, 2017), and At Dusk (Scribe, 2018), which was longlisted for the 2019 Man Booker International Prize.
Winner of the 2019 LTI Korea Award for Aspiring Translators and the 2021 Korea Times Modern Korean Literature Translation Award, Youngjae Josephine Bae’s translations include Imaginary Athens: urban space and memory in Berlin, Tokyo, and Seoul (Routledge, 2020) and A Global History of Ginseng: imperialism, modernity, and orientalism (Routledge, 2022).
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