The debut of the ultimate noir detective series: set in Stalinist Russia, riddled with corruption, informers, and purges that takes paranoia to the next level
Perfect for readers of John Banville, Philip Kerr, and Lara Prescott's The Secrets We Kept, and for fans of the international Netflix sensation Babylon Berlin
“Leads the hero (as well as the reader) through every circle of soviet hell, to a bright finale.” --Medusa
1930s Leningrad. As a mood of fear cloaks the city, Investigator Vasily Zaitsev is called on to investigate a series of bizarre and seemingly motiveless murders. In each case, the victim is curiously dressed and posed in extravagantly arranged settings.
At the same time, one by one precious old master paintings are going missing from the Hermitage collection.
As Zaitsev sets about his investigations, he meets with suspicion at practically every turn, and potential witnesses are reluctant to provide information. Soon Zaitsev himself comes under suspicion from the Soviet secret police. The embittered detective must battle increasingly complex political machinations in his dogged quest to uncover the truth.
Review
Yulia Yakovleva's thrilling debut was a bestseller in her native Russia. It's not difficult to see why - The Times, Best New Crime Fiction
A masterclass in historical crime fiction set against the vividly-painted backdrop of 1930s Leningrad. It will pull you in and leave you breathless -- Chris Lloyd, author of The Unwanted Dead
A serial killer is at work in 1930s Leningrad. Favourite line: "This is how we live, he thought. She's lying and so am I." - Sunday Times Crime Club, Pick of the Week
...a fascinating story... Beautifully translated... Punishment of a Hunter establishes Yulia Yakovleva as a talent to watch - Irish Times
Gritty and gripping, Punishment of a Hunter is top class historical crime fiction -- Will Ryan, author of The Holy Thief
This is the most successful reload of the retro-detective genre in Russian fiction since Akunin. - literratura
Yulia Yakovleva leads the hero (as well as the reader) through every circle of Soviet hell, to a bright finale that offers both satisfaction from how the plot wraps up as well as the suggestion of an opening for a sequel. - Medusa.io
Yakovleva writes with an expert and deep knowledge of the period, and she simply writes well. - Gorky
Yakovleva's unobtrusive art edutainment, which introduces paintings of Botticelli, Velazquez, Van Dyck, and Rubens, is one of the true pleasures this novel offers... For Yakovleva, it is more important to understand not how the crimes were performed, but why. The author is interested first and foremost in the mechanism of how the large state evil gives birth to a private, small evil. - Fontanka
The novel's main hero is the time period, a time marked by Petersburg's impotency and beauty, steel and blood - chaskor.ru
'There are fantastic comic elements to this dark novel of life under dictatorship in Stalin's Russia... On a more serious note, this story exudes the sinister atmosphere of the time, the insecurity and lack of freedom ordinary people faced.... [It's] well plotted and with intriguing characters' - NB Magazine
About the Author
Yulia Yakovleva is a writer, theatre and ballet critic, and playwright. She is particularly known for two types of historical fiction set in Stalin-era Leningrad: the award-winning children’s chapter book series The Leningrad Tales that confront Soviet history, and the thrilling new series of detective novels about Leningrad police investigator Vasily Zaitsev. Yakovleva received her MA from School of Creative Arts of the University of Hertfordshire. She lives in Oslo, Norway, with her husband and son.
Ruth Ahmedzai Kemp translates literature from Arabic, German and Russian into English. Her work has been shortlisted for many prestigious prizes including the Helen & Kurt Wolff Translator's Prize.