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Among the greatest of poets, TS Eliot protected his privacy while publicly associated with three women: two wives and a church-going companion. This presentation concealed a life-long love for an American: Emily Hale, a drama teacher to whom he wrote (and later suppressed) over a thousand letters. Hale was the source of "memory and desire" in The Waste Land; she is the Hyacinth Girl.
Drawing on the dramatic new material of the only recently unsealed 1,131 letters Eliot wrote to Hale, leading biographer Lyndall Gordon reveals a hidden Eliot. Emily Hale now becomes the first and consistently important woman of life -- and his art. Gordon also offers new insight into the other spirited women who shaped him: Vivienne, the flamboyant wife with whom he shared a private wasteland; Mary Trevelyan, his companion in prayer; and Valerie Fletcher, the young disciple to whom he proposed when his relationship with Emily foundered. Eliot kept his women apart as each ignited his transformations as poet, expatriate, convert, and, finally, in his latter years, a man `made for love.'
Emily Hale was at the centre of a love drama he conceived and the inspiration for the lines he wrote to last beyond their time. To read Eliot's twice-weekly letters to Emily during the thirties and forties is to enter the heart of the poet's art.
Review
Gordon sifts through the documents with her customary care and delicacy... [her] subtle readings never lose sight of the central mystery -- Frances Wilson - Telegraph
Explores some of the most significant relationships of Eliot's life, and by shifting the focus to these women a less familiar Eliot emerges... in tracing Hale's life to its end, [Gordon] reminds us that she lived her own life - Spectator
T.S. Eliot's oft-forgotten relationship with an American woman takes center stage in this illuminating account from Gordon ... it also treats the women in his life with dignity and goes a long way in reversing the erasure he attempted. Literature lovers, take note - Publishers Weekly
There is no finer guide into the mind of T. S. Eliot than Lyndall Gordon... Thanks to her meticulous research and inspired storytelling we will never read [Eliot's] poems the same way again - Heather Clark, author of Red Comet: The Short Life and Blazing Art of Sylvia Plath
Allows Gordon to find new coherence in Eliot's otherwise apparently fragmented interior life... Equally praiseworthy are Gordon's sensitive assessments of the other women who shaped Eliot's life - Booklist
An astute portrait of Eliot... Gordon illuminates Eliot's writing through the prism of his correspondence with Emily Hale, demonstrating how central she is to a real understanding of the man and his work... A revelatory book' - Erica Wagner, author of Ariel's Gift: Ted Hughes, Sylvia Plath and the story of Birthday Letters
Gordon is the first biographer to uncover the life of T. S. Eliot's hidden muse... [her] fairminded and declarative approach works perfectly for a story that gives the reader a shocked understanding of the way that a literary genius was ready to banish the women he loved when they no longer served his purpose... a work that will change the way Eliot is seen - Miranda Seymour, author of I Used to Live Here Once: The Haunted Life of Jean Rhys
Exquisitely nuanced -- Kathryn Hughes - Sunday Times
In The Hyacinth Girl, which is based on an incendiary cache of letters only recently released from their 14 steel-bound boxes, Gordon writes that when opened in January 2020 'detonated according to plan'... It is a tale of betrayal on a grand scale, and it is very well told... Gordon's account is as exciting as a detective story... She catches the drama brilliantly... Gordon establishes the profound influence [his relationship with Hale] had upon the substance and in particular upon the imagery of his work, lasting from The Waste Land through to Four Quartets -- Margaret Drabble - New Statesman
In 1977, Gordon published Eliot's Early Years, a sharp-eyed book setting his work in the context of his life. The reviews were savage: one male New Statesman critic said it is was full of "gossip and memoirs... the result is a disaster". "I knew instantly that I wanted nothing more than to live to the day when the letters would be opened," says Gordon. She was there on 2 January 2020, aged 78, at Princeton's special collections room . The final line of her new book's introduction speaks volumes: "I was not disappointed." -- Jude Rogers - Observer
Book Description
From the Back Cover
Among the greatest of poets, T. S. Eliot guarded his privacy. In public he was attached to three women: two wives and a companion in prayer. But concealed was an almost life-long love for an American: Emily Hale, a drama teacher to whom he wrote (and later suppressed) over a thousand letters. Hale was the source of 'memory and desire' in The Waste Land; she is the Hyacinth Girl.
Drawing on the dramatic new material, the recently unsealed 1,131 letters Eliot wrote to Hale, leading biographer Lyndall Gordon retrieves Hale's silenced voice and reveals a hidden Eliot. She shows Emily Hale as the first and foremost woman of the poet's life - and at the heart of his art.
Eliot's relationships were inextricable from his poems; Emily Hale was not the only woman who shaped his poetry and plays.
Lyndall Gordon revisits and brings new insight to the stories of the other three : Vivienne, the flamboyant wife with whom Eliot shared a private wasteland; Mary Trevelyan, a war-time woman of action; and Valerie Fletcher, the young disciple to whom he proposed when Hale crossed him. Each of these women participated in his transformations as poet, expatriate, convert, and, finally, a man 'made for love'.
Eliot kept these women apart. They barely knew one another but through the poet, their stories mesh. At the centre was Emily Hale in a love drama the poet conceived and the inspiration for the lines he wrote to last beyond their time; she was his hidden muse.
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The Hyacinth Girl T. S. Eliots Hidden Muse
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- ISBN: 9780349012100
- Author: Lyndall Gordon
- Publisher: Virago Books
- Pages: 432
- Format: Paperback
Book Description
Among the greatest of poets, TS Eliot protected his privacy while publicly associated with three women: two wives and a church-going companion. This presentation concealed a life-long love for an American: Emily Hale, a drama teacher to whom he wrote (and later suppressed) over a thousand letters. Hale was the source of "memory and desire" in The Waste Land; she is the Hyacinth Girl.
Drawing on the dramatic new material of the only recently unsealed 1,131 letters Eliot wrote to Hale, leading biographer Lyndall Gordon reveals a hidden Eliot. Emily Hale now becomes the first and consistently important woman of life -- and his art. Gordon also offers new insight into the other spirited women who shaped him: Vivienne, the flamboyant wife with whom he shared a private wasteland; Mary Trevelyan, his companion in prayer; and Valerie Fletcher, the young disciple to whom he proposed when his relationship with Emily foundered. Eliot kept his women apart as each ignited his transformations as poet, expatriate, convert, and, finally, in his latter years, a man `made for love.'
Emily Hale was at the centre of a love drama he conceived and the inspiration for the lines he wrote to last beyond their time. To read Eliot's twice-weekly letters to Emily during the thirties and forties is to enter the heart of the poet's art.
Review
Gordon sifts through the documents with her customary care and delicacy... [her] subtle readings never lose sight of the central mystery -- Frances Wilson - Telegraph
Explores some of the most significant relationships of Eliot's life, and by shifting the focus to these women a less familiar Eliot emerges... in tracing Hale's life to its end, [Gordon] reminds us that she lived her own life - Spectator
T.S. Eliot's oft-forgotten relationship with an American woman takes center stage in this illuminating account from Gordon ... it also treats the women in his life with dignity and goes a long way in reversing the erasure he attempted. Literature lovers, take note - Publishers Weekly
There is no finer guide into the mind of T. S. Eliot than Lyndall Gordon... Thanks to her meticulous research and inspired storytelling we will never read [Eliot's] poems the same way again - Heather Clark, author of Red Comet: The Short Life and Blazing Art of Sylvia Plath
Allows Gordon to find new coherence in Eliot's otherwise apparently fragmented interior life... Equally praiseworthy are Gordon's sensitive assessments of the other women who shaped Eliot's life - Booklist
An astute portrait of Eliot... Gordon illuminates Eliot's writing through the prism of his correspondence with Emily Hale, demonstrating how central she is to a real understanding of the man and his work... A revelatory book' - Erica Wagner, author of Ariel's Gift: Ted Hughes, Sylvia Plath and the story of Birthday Letters
Gordon is the first biographer to uncover the life of T. S. Eliot's hidden muse... [her] fairminded and declarative approach works perfectly for a story that gives the reader a shocked understanding of the way that a literary genius was ready to banish the women he loved when they no longer served his purpose... a work that will change the way Eliot is seen - Miranda Seymour, author of I Used to Live Here Once: The Haunted Life of Jean Rhys
Exquisitely nuanced -- Kathryn Hughes - Sunday Times
In The Hyacinth Girl, which is based on an incendiary cache of letters only recently released from their 14 steel-bound boxes, Gordon writes that when opened in January 2020 'detonated according to plan'... It is a tale of betrayal on a grand scale, and it is very well told... Gordon's account is as exciting as a detective story... She catches the drama brilliantly... Gordon establishes the profound influence [his relationship with Hale] had upon the substance and in particular upon the imagery of his work, lasting from The Waste Land through to Four Quartets -- Margaret Drabble - New Statesman
In 1977, Gordon published Eliot's Early Years, a sharp-eyed book setting his work in the context of his life. The reviews were savage: one male New Statesman critic said it is was full of "gossip and memoirs... the result is a disaster". "I knew instantly that I wanted nothing more than to live to the day when the letters would be opened," says Gordon. She was there on 2 January 2020, aged 78, at Princeton's special collections room . The final line of her new book's introduction speaks volumes: "I was not disappointed." -- Jude Rogers - Observer
Book Description
From the Back Cover
Among the greatest of poets, T. S. Eliot guarded his privacy. In public he was attached to three women: two wives and a companion in prayer. But concealed was an almost life-long love for an American: Emily Hale, a drama teacher to whom he wrote (and later suppressed) over a thousand letters. Hale was the source of 'memory and desire' in The Waste Land; she is the Hyacinth Girl.
Drawing on the dramatic new material, the recently unsealed 1,131 letters Eliot wrote to Hale, leading biographer Lyndall Gordon retrieves Hale's silenced voice and reveals a hidden Eliot. She shows Emily Hale as the first and foremost woman of the poet's life - and at the heart of his art.
Eliot's relationships were inextricable from his poems; Emily Hale was not the only woman who shaped his poetry and plays.
Lyndall Gordon revisits and brings new insight to the stories of the other three : Vivienne, the flamboyant wife with whom Eliot shared a private wasteland; Mary Trevelyan, a war-time woman of action; and Valerie Fletcher, the young disciple to whom he proposed when Hale crossed him. Each of these women participated in his transformations as poet, expatriate, convert, and, finally, a man 'made for love'.
Eliot kept these women apart. They barely knew one another but through the poet, their stories mesh. At the centre was Emily Hale in a love drama the poet conceived and the inspiration for the lines he wrote to last beyond their time; she was his hidden muse.
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