None of the men in the class had acted in a play or even recited a poem at a school event. Most could not read or memorize a script. But each of these prisoners, some of them jailed for heinous offences, came to Mahmood Farooqui s drama class because they wanted respect and validation. And thus began the improbable journey of a wildly successful prison experiment. Farooqui, a brilliant scholar and acclaimed stage performer, was himself a prisoner, jailed for a crime he steadfastly denied committing and of which he was finally acquitted. Breaking his silence on the darkest chapter of his life, he has written a radiant memoir. The Tihar Players is one of Asia s largest prison seen through the eyes of an erudite, observant, meditative, wickedly funny writer; a lapsed atheist; a voracious consumer of Russian literature; an indefatigable memorizer of epic poems and a deeply emotional man, both fragile and resilient.
Mahmood Farooqui is an acclaimed writer and performer, well-known for reviving Dastangoi, the lost art of Urdu storytelling. He has written fifteen modern dastans, directed several written by his team members and performed over a thousand shows around the world.
Farooqui received the Ramnath Goenka Award for non-fiction for his book, Besieged: Voices from Delhi 1857, on the Indian Uprising of 1857. He has been Visiting Fellow at the University of Michigan and University of California, Berkeley. His most recent book is Dastan-e Guru Dutt.
He was the co-director of the acclaimed feature film Peepli Live, and has produced the recently released The Great Shamsuddin Family. He studied at The Doon School, St. Stephen s College and the University of Oxford as a Rhodes Scholar, and has an MPhil from Cambridge University.
He is married to the film-maker Anusha Rizvi and lives in New Delhi.
None of the men in the class had acted in a play or even recited a poem at a school event. Most could not read or memorize a script. But each of these prisoners, some of them jailed for heinous offences, came to Mahmood Farooqui s drama class because they wanted respect and validation. And thus began the improbable journey of a wildly successful prison experiment. Farooqui, a brilliant scholar and acclaimed stage performer, was himself a prisoner, jailed for a crime he steadfastly denied committing and of which he was finally acquitted. Breaking his silence on the darkest chapter of his life, he has written a radiant memoir. The Tihar Players is one of Asia s largest prison seen through the eyes of an erudite, observant, meditative, wickedly funny writer; a lapsed atheist; a voracious consumer of Russian literature; an indefatigable memorizer of epic poems and a deeply emotional man, both fragile and resilient.
Mahmood Farooqui is an acclaimed writer and performer, well-known for reviving Dastangoi, the lost art of Urdu storytelling. He has written fifteen modern dastans, directed several written by his team members and performed over a thousand shows around the world.
Farooqui received the Ramnath Goenka Award for non-fiction for his book, Besieged: Voices from Delhi 1857, on the Indian Uprising of 1857. He has been Visiting Fellow at the University of Michigan and University of California, Berkeley. His most recent book is Dastan-e Guru Dutt.
He was the co-director of the acclaimed feature film Peepli Live, and has produced the recently released The Great Shamsuddin Family. He studied at The Doon School, St. Stephen s College and the University of Oxford as a Rhodes Scholar, and has an MPhil from Cambridge University.
He is married to the film-maker Anusha Rizvi and lives in New Delhi.
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