Short stories have always played an important role in Latin American literary history as provocative little mirrors reflecting important cultural traits distinctive to Latin America. The form is widely practiced by Latin American writers, who often have devoted their entire careers to it, and the form is greatly appreciated by critics and the reading public alike. Most critics, Latin American and otherwise, have a special metaphor to explain the difference between the novel and the short story, and in esteemed writer Carlos Fuentes' introduction to this vital gathering of contemporary examples of the Latin American short story, he presents his this way: "The novel is an ocean liner. The short story, a sailboat hugging the coast." One of the most potent of the featured "sailboats" here is Uruguayan Juan Carlos Onetti's "Hell Most Feared," in which a man is cruelly sent a series of salacious photographs by his ex-wife and ends up killing himself. But other masterpieces appear in this anthology as well. Brad Hooper
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From the Inside Flap
In The Vintage Book of Latin American Stories, Julio Ortega and Carlos Fuentes present the most compelling short fiction from Mexico to Chile. Surreal, poetic, naturalistic, urbane, peasant-born: All styles intersect and play, often within a single piece. There is "The Handsomest Drown Man in the World," the García Márquez fable of a village overcome by the power of human beauty; "The Aleph," Borges' classic tale of a man who discovers, in a colleague's cellar, the Universe. Here is the haunting shades of Juan Rulfo, the astonishing anxiety puzzles of Julio Cortázar, the disquieted domesticity of Clarice Lispector. Provocative, powerful, immensely engaging, The Vintage Book of Latin American Stories showcases the ingenuity, diversity, and continuing excellence of a vast and vivid literary tradition.
From the Back Cover
In The Vintage Book of Latin American Stories, Julio Ortega and Carlos Fuentes present the most compelling short fiction from Mexico to Chile. Surreal, poetic, naturalistic, urbane, peasant-born: All styles intersect and play, often within a single piece. There is "The Handsomest Drown Man in the World," the Garcia Marquez fable of a village overcome by the power of human beauty; "The Aleph," Borges' classic tale of a man who discovers, in a colleague's cellar, the Universe. Here is the haunting shades of Juan Rulfo, the astonishing anxiety puzzles of Julio Cortazar, the disquieted domesticity of Clarice Lispector. Provocative, powerful, immensely engaging, The Vintage Book of Latin American Stories showcases the ingenuity, diversity, and continuing excellence of a vast and vivid literary tradition.
About the Author
Carlos Fuentes is the author of more than a dozen novels. He lives in Mexico and London. Julio Ortega is a professor of Hispanic Studies at Brown University.