“I have now spent a week in sloppy communion with Building Stories and am ready to declare it one of the most important pieces of art I have ever experienced. I also sort of want to kill myself . . . What makes Building Stories monumental isn’t its unorthodox format. It’s Ware’s ruthless and tender pursuit of undisguised emotion. His work is brutal in the way all great art is. I can’t wait to experience it again.” —Steve Almond, The New Republic

“Stunning . . . As usual, Mr. Ware’s style is a model of compression in both word and picture. Less usual, for the genre as a whole, is the vividness with which he limns his heroine’s intense, if fairly ordinary, inner life . . . The lack of clear structure, much less traditional linearity, turns reading into an unusually active process. This is a great, easily ownable work of art.” —The New York Times 

“In the end, the process Ware recreates here is universal, which is what gives Building Stories its resonance. The woman's dream, after all, is everyone's: the dream of making sense of ourselves, of having things add up. That they don't, that they can never, is the paradox, and yet what else can we do but try? Here we have the essential question Ware wants us to consider, and his answer—brave, beautiful and brilliant—is the story we build out of this box.” —David Ulin, Los Angeles Times
 
“This book is a masterpiece . . . Building Stories is a masterpiece, above all, because it cares about human beings, many of them women. It cares enough to observe human beings closely, both when they are behaving themselves, and when they are engaging in their manifold selfishnesses. It cares enough about them to depict them when they are attractive and when they are singularly unattractive. The contemporary novel, it bears mentioning, does not care this much, because the contemporary novel is so preoccupied with affirmation that it will not risk what Ware is willing to risk. Perhaps Ware risks in this way because, as a person who began by illustrating, he is willing to see exactly what’s taking place around him, all of it. But by building up his stories from the fragments, from the discontinuous moments, episodes of glancing contact, and the disconnections as well as the connections, he has made something that, if possible, is more literary than most contemporary literature. The American novel, that is, has a lot to learn from this very convincing and masterful work.” —Rick Moody, Los Angeles Review of Books
 
“There’s no writer alive whose work I love more than Chris Ware. The only problem is it takes him ten years to draw these things and then I read them in a day and have to wait another ten years for the next one.” —Zadie Smith    

“Ware provides one of the year’s best arguments for the survival of print . . . the spectacular, breathtaking visual splendor make this one of the year’s standout graphic novels.” —Publisher's Weekly, *starred review*

"Chris Ware's Building Stories is the rarest kind of brilliance; it is simultaneously heartbreaking, hilarious, shockingly intimate and deeply insightful. There isn't a graphic artist alive or dead who has used the form this wonderfully to convey the passage of time, loneliness, longing, frustration or bliss.  It is the reader's choice where and how to begin this monumental work—the only regret you will have in starting it is knowing that it will end." —J. J. Abrams

“You could call Stories a game-changer, except so few besides Ware could ever construct such a retro-aesthetic feat.” —The Washington Post, “Top 10 Graphic Novels of 2012”  

“A treasure trove of graphic artworks—they’re too complex to be called comics—from Ware, master of angst, alienation, sci-fi and the crowded street . . . A dazzling document.” —Kirkus, *starred review*  

“Ware has been consistently pushing the boundaries for what the comics format can look like and accomplish as a storytelling medium . . . More than anything, though, this graphic novel mimics the kaleidoscopic nature of memory itself—fleeting, contradictory, anchored to a few significant moments, and a heavier burden by the day. In terms of pure artistic innovation, Ware is in a stratosphere all his own.” —Booklist, *starred review*

“So far ahead of the game that it tempts you to find fault just to prove that a human made it . . . Ware is remarkably deft at balancing the demands of fine art, where sentimentality is an error, and those of storytelling, where emotion is everything.” —The New York Times Book Review

“Ware’s innovative graphic novel deepens and enriches the form by breaking it apart…tackles universal themes including art, sex, family and existential loneliness in a way that’s simultaneously playful and profound.” —The New York Times Book Review, “The 10 Best Books of 2012” 
 
“Building Stories is the graphic novel of the season or perhaps the year, a story that must be experienced rather than read . . . Ware takes visual storytelling to a new level of both beauty and despair in a work people will be talking about for a long time.” —Publisher's Weekly, *starred review*  

“This is more than a book; it's a profusion of printed paper . . . told in Ware's instantly recognizable style, with panels so silent and perfectly composed, they're reminiscent of stained-glass windows.” —TIME

“The standout work of the year is Chris Ware’s breathtaking treasure chest.” —The Boston Globe Gift Guide 
 
“Building Stories is a momentous event in the world of comics—the unusual format of Ware’s book is bound to help redefine yet again what a “graphic novel” can be.” —The New Yorker.com   

“Surely, no comic book artist has ever created anything quite like this: a glorious treasure box of sorts containing books, pamphlets, leaflets and old-timey newspapers—all of which tell of the daily struggles of the residents of a Chicago building. Heartbreak and flashes of hope illuminate even the tiniest of panels.” —San Francisco Chronicle Gift Guide 
 
“Pages of extraordinary inventiveness . . . Throughout Building Stories, Ware’s attention to the awkward physicality, the constant humiliations and cruelties of human existence is as precise and as brutally funny as it is in his previous work.” —The New York Review of Books 
 
“Ware’s Building Stories is a stunning reminder of the capabilities of print, telling a tender and crushing tale of missed opportunities.” —The Huffington Post

”Its brilliance is not debatable . . . The components of Building Stories can be read and combined and recombined in any order, producing chance connections and beautiful resonances—very much the way life itself does.” —TIME Magazine, “Top Ten in Fiction”

“Chris Ware is one of the true modern masters of the sequential art medium and an absolute artisan when it comes to showing the beauty of an ugly truth . . . It’s truly masterful storytelling that will be a unique experience for each reader and something that would be impossible in any other medium than print . . . Each of us in our own way is desperately searching for our own sense of meaning, accomplishment, and self-worth, but anyone who has ever felt their creativity suppressed—or really anyone who has ever clung onto the good in their bad relationship (or the bad in their good relationship)—will see a lot of truth nestled in these almost magical pages.” —The New York Journal of Books   

“Stunningly innovative . . . Basically a book-in-a-box, Building Stories is spread among 14 different pieces—15 if you count the illustrated box itself—ranging in size and shape from small and booklet-size to a Little Golden Book-style hardback to a game-board-size fold-out board. All of which might just add up to a clever and daring experiment if Ware’s characters weren’t so alive, his art so precise and pleasing and his story so vital and heart-wrenching.” —Vancouver Sun 

“Apparently, no one ever told Chris Ware that print is dead. Or maybe they did and this is his fantastic rebuttal. Ware, the master behind Jimmy Corrigan: The Smartest Kid on Earth, has created a batch of sad, highly detailed comics with Building Stories. The catch is the presentation. Inside this oversized box are 14 different stories—some are traditional books of various sizes, others are magazines, newspapers and small pamphlets. This isn't a graphic novel. It's a library ready to be explored.” —Minneapolis Star-Tribune 

“Ware masterfully tells the stories in ways that are clear and concise, but also astonishingly creative, bending the progression of images around pages large and small . . . The actual writing is wonderful, both in the measured, sharply observed lives of the different characters, but also in the use of language. Ware knows when thick overstatement in the narration will add a comic edge and also how to shape meandering inner thought processes to get at the contradictory cores of the people on the page. He stuffs his pages with images, and they all have rich ideas behind them . . . Building Stories is daunting, exhausting and grand. Like Art Spiegelman’s Maus from two decades earlier, it so completely transcends any attempt to contain its importance to solely the field of comics that it announces itself as nothing less than a vital piece of literature, no qualifiers necessary or welcome.” —Spectrum Culture 

“Ware’s latest has the makings of a modern classic . . . At times Ware's ‘great book’ feels like it could be about anyone's life. Other times, it doesn't feel like a book at all. It's a keepsake box full of things you won't want to forget.” —Entertainment Weekly, A+

“A visionary boxed collection . . . a stunning triumph for graphic novels as a literature all its own.” —Publisher's Weekly Comics World  

“An eye-popping astonishment.” —St. Louis Post-Dispatch  
   
“The book is at its most sublime in its wordless passages. If the documents are read in the order they are packaged, Building Stories opens with a brilliant, silent fugue that tells a story in images alone . . . a triumph of imagination. Amid cheap disposability, Ware’s work painstakingly honors craftsmanship and originality. He is a rare breed, and his work deserves celebration and preservation . . . While others lament the end of books defeatedly, Ware gives us tangible reasons to delay sounding the death knoll for the printed page.” —CS Monitor 

“Remarkable . . . all of it is drawn in Ware's meticulous style, inked in his bright, bold colors, and written in his decidedly literary voice. This is a publishing event; I can't believe it's retailing for only 50 bucks.” —Chicago Reader  

 "Chris (Ware) really changed the playing field. After him, a lot of (cartoonists) really started to scramble and go holy (expletive), 'I think I have to try harder.'" —Seth, author of It's a Good Life If You Don't Weaken

“Building Stories will only enhance the artist’s exalted status within the world of graphic literature . . . awe-inspiring.” —St. Louis Post-Dispatch  
 
“Quietly defies any pre-existing comic conventions. I couldn’t wait to write about how ardently I recommend this collection . . . The “graphic novel” misnomer masks the breadth of old and new creations compiled in this extremely innovative, fascinating anthology, a bold declaration for the wonders of pulp and ink in the digital age.” —Jenna Marotta, CBS Smart Planet 
 
“Destined to become a collector’s item.” —Vogue Gift Guide

“It’s already being hailed as a classic and it was released only Tuesday . . . Building Stories gorgeously expands the graphic novel form.” —The Daily Beast  
 
“One of the strongest arguments against the death of printed paper . . . Ware’s genius lies in telling of everyday insecurities and pleasures and various mundania that make us identify with the characters.” —Singapore Times

“Ware has single-handedly re-defined the possibilities of the graphic novel form. His work is complex, serious and stunningly beautiful . . . Building Stories is a rich, mature work that defies categorization and must be experienced to be fully understood.” —WICN interview
 
“This week marked the release of Chris Ware’s unbelievably wonderful graphic novel Building Stories, which we (and everyone else) have been awaiting with bated breath for many months. The graphic publishing event of the year, the book is truly a world you can get lost in . . . a total triumph, an immersive story that you can literally (well almost) immerse yourself in.” —Flavorwire.com

“Intelligent, carefully crafted and emphatically not for everyone.” —Paste Magazine  
 
“There simply will not be a more beautifully packaged book this year than Chris Ware’s Building Stories, the latest from the master graphic novelist.” —Salon 
 
“What sets this latest work apart is its format—and how fundamentally that format shapes the reader's experience…[a] precise, colorful, intricate and ultimately beautiful book.” —NPR.org 
 
“Chris Ware’s new Building Stories confirms his place alongside Nabokov and David Foster Wallace in the pantheon of masterful mindfuck writers . . . Ware’s artistic skills are unmatched.” —Philadelphia City Paper 
 
“What is surprising is how quickly Ware can dismantle one’s preconceived notions of genre, leading the reader far past traditional definitions of what literature—or comics—is and isn’t, and deep into his fictional characters’ inner lives . . . For readers it’s a veritable treasure chest, a deeply layered narrative that can turn, as those familiar with Ware’s work have come to expect, on the subtlest of gestures, on the simplest poetry of a character’s heartbreaking monologue. But for writers it’s a rare opportunity to see the architecture of storytelling stripped bare, to witness an artist at the top of his game as he not only writes his way through the inner lives of his characters, but also transforms his adjectives and adverbs into a stunning visual narrative.” —Poets and Writers 
 
“Ware is the rare cartoonist whose art is matched not just by formalist exper