“O’Gieblyn’s loosely linked and rigorously thoughtful meditations on technology, humanity and religion mount a convincing and occasionally moving apologia for that ineliminable wrench in the system, the element that not only browses and buys but feels: the embattled, anachronistic and indispensable self. God, Human, Animal, Machine is a hybrid beast, a remarkably erudite work of history, criticism and philosophy, but it is also, crucially, a memoir.” --The New York Times

“Meghan O’Gieblyn’s essays are 'personal' in that they are portraits of the private thoughts, curiosities, and uncertainties that thrive in O’Gieblyn’s mind about selfhood, meaning, moral responsibility, and faith. There's nowhere her avid intellect won't go in its quest to find, if not 'meaning,' then the available modern tools we might use, today, as humans, to create it. O’Gieblyn is a brilliant and humble philosopher, and her book is an explosively thought-provoking, candidly personal ride I wished never to end. This book is such an original synthesis of ideas and disclosures. It introduces what will soon be called the O’Gieblyn genre of essay writing.” --Heidi Julavits, author of The Folded Clock

"A fascinating exploration of our enchantment with technology." --Eula Biss, author of Having and Being Had

“Having abandoned Christian fundamentalism, the author of this investigation of human-machine interactions embarks on a search for meaning…She finds that consciousness ‘was not some substance in the brain but rather emerged from the complex relationships between the subject and the world.’” --The New Yorker

"A deeply researched work of history, criticism and philosophy, God Human Animal Machine...show[s] that religion isn’t a subject matter you can simply move on from, nor does O’Gieblyn expect to outgrow her former vantage point as a believer. Instead, [the book] probes the uneasy coexistence between what’s enchanted and what’s disenchanted.” --The Point

“[O’Gieblyn] is a whip-smart stylist who’s up to the task of writing about this material journalistically and personally; her considerations encompass string theory, Calvinism, 'transhuman' futurists like Ray Kurzweil, and The Brothers Karamazov…A melancholy, well-researched tour of faith and tech and the dissatisfactions of both.” --Kirkus Reviews

"One of the strongest essayists to emerge recently on the scene has written a strong and subtle rumination of what it means to be human. At times personal, at times philosophical, with a bracing mixture of openness and skepticism, it speaks thoughtfully and articulately to the most crucial issues awaiting our future." --Phillip Lopate 

"A captivating portrait of how digital technology has fundamentally transformed both intellectual and religious thinking.” --Los Angeles Review of Books

“O’Gieblyn has a knack for keeping dense philosophical ideas accessible, and there’s plenty to ponder in her answers to enduring questions about how humans make meaning...Razor-sharp, this timely investigation piques.” --Publisher's Weekly 

“Illuminating...[A] very personal account of a painful philosophical evolution. A compelling reminder that the deepest philosophical queries guide and shape life.” --Booklist

MEGHAN O'GIEBLYN is the author of the essay collection Interior States, which was published to wide acclaim and won the Believer Book Award for Nonfiction. Her writing has received three Pushcart Prizes and appeared in The Best American Essays anthology. She writes essays and features for Harper's Magazine, The New Yorker, The Guardian, Wired, The New York Times, and elsewhere. She lives with her husband in Madison, Wisconsin.