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The ghosts are everywhere.
Most are ghosts of ideas, feelings, memories. These are our personal ghosts, and they follow us alone.
But there are other ghosts, in which we share a common fear. Thickening shadows pooling at the corner of the room, unexplained breathing in the dark, the child who steps out of an old photo—the shiver of supernatural frisson, a thin crooked finger of ice tracing its way down your spine. This fear, and thrill, is rightfully the domain of the kind of ghost you will meet in this book.
In Taranath Tantrik, Devalina Mookerjee translates nine stories of the uncanny and occult by legendary Bengali storyteller, Bibhutibhushan. Seven are short stories of séance, curses, return for revenge, and the desire for things that have no place in human lives. Two are about tantra, of necromancy, spiritual power, goddesses, and ghosts.
The borders of reality are porous in this world.
Bibhutibhushan Bandyopadhyay (1894–1950) is regarded as one of the greatest Bengali writers. His best known works are the autobiographical novel, Pather Panchali (The Song of the Road), which was made into a film by Satyajit Ray, Chander Pahar, and Aranyak.
Devalina Mookerjee is a translator and publisher. She is also a researcher in health and education. Her interest in ghosts is based on two decades of social science research. She learned to play bass over the lockdown, mostly jazz, blues and folk, and finds that the sound of the bass goes beautifully with stories of ghosts. She lives in New Delhi with her partner and five dogs.