About the Book: Rozabal Line
A cardboard box is found on a shelf of a London library. When the mystified librarian opens it, she screams before she falls unconscious to the floor. Within the labyrinthine recesses of the Vatican, a beautiful assassin swears she will eliminate all who do not believe in her twisted credo. An elite army of thirteen calling itself the Lashkare Talatashar has scattered around the globe. The fate of its members curiously resembles that of Christ and his Apostles. Their agenda is Armageddon. A Hindu astrologer spots a conjunction of the stars and nods to himself in grim realization of the end of the world. In Tibet, a group of Buddhist monks searchs for a reincarnation, much in the way their ancestors searched Judea for the Son of God. In strifetorn Kashmir, a tomb called Rozabal holds the key to a riddle that arises in Jerusalem and gets answered at Vaishno Devi. In The Rozabal Line, a thriller swirling between continents and centuries, Ashwin Sanghi traces a pattern that curls backward to the violent birth of religion itself.
About the Book: Rozabal Line
A cardboard box is found on a shelf of a London library. When the mystified librarian opens it, she screams before she falls unconscious to the floor. Within the labyrinthine recesses of the Vatican, a beautiful assassin swears she will eliminate all who do not believe in her twisted credo. An elite army of thirteen calling itself the Lashkare Talatashar has scattered around the globe. The fate of its members curiously resembles that of Christ and his Apostles. Their agenda is Armageddon. A Hindu astrologer spots a conjunction of the stars and nods to himself in grim realization of the end of the world. In Tibet, a group of Buddhist monks searchs for a reincarnation, much in the way their ancestors searched Judea for the Son of God. In strifetorn Kashmir, a tomb called Rozabal holds the key to a riddle that arises in Jerusalem and gets answered at Vaishno Devi. In The Rozabal Line, a thriller swirling between continents and centuries, Ashwin Sanghi traces a pattern that curls backward to the violent birth of religion itself.
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