“Emotionally accessible…[Divakaruni] balances the ache of separation with the thrills of independence and self-discovery…her characteristic passion, nerve and insight into the troubled soul are here in full.” - The Wall Street Journal

“Divakaruni proves herself adept with all the tools in the writer’s toolbox…Divakaruni makes use of two major writerly tools that seldom go together — tragic drama, and screwball comedy. What’s more, she finds entirely fresh ways to mete out the tropes of the South Asian immigrant story…hilarity deepens and clarifies the story’s dark tones…an heirloom tapestry.” - The Miami Herald

“Before We Visit the Goddess is full of different voices, going back and forth in time, with beautifully written chapters that could stand on their own as short stories but add layer upon layer of complication, wonder, humanity and empathy when joined together…Divakaruni builds her female characters as multidimensional — highly complex, intelligent and nobody’s doormat… Divakaruni guides us along their journeys with beautiful writing, surprising laughter and a truly memorable ending…I can’t recommend this book enough. When it comes to fiction, Divakaruni is a new goddess on the Texas landscape.” - The Austin American Statesman

“Divakaruni elegantly leads the reader through the twists and turns of life given the complications of culture, family expectations, and words left unsaid…the writing was crisp and clear. The characters were realistic and the dialogue believable. The story explores the dynamics of mothers and daughters caught in the cross-hairs of cultural and generation differences, as well as the complications of expectations, believed or real…Before We Visit the Goddess will leave the reader wondering about the relationship they have with their parents and what should be said before it is too late.” - The Portland Book Review

“A novel about female strength and ambition and how one mother’s decision can affect the lives of her family for generations to come.” - Bustle

“Takes readers on an exotic, visceral journey beginning in the mango and saffron-scented kitchens of 1950s India and ending in present day Houston, Texas.” - The Santa Cruz Sentinel

"Three generations of headstrong Bengali women, their passions, secrets, regrets and mysteries, come to life through Divakaruni’s storytelling wizardry… Divakaruni brings us from the poor villages to the upper crust urban families, from India to Texas, to show how three courageous women struggle toward independence.” - BBC.com

"The best storytellers always keep you coming back. They have their unique signatures, a unique voice, that enchants the reader and draws them back to listen to one story, then the next and then the one after that. Chitra Banerjee Divakaruni is one such masterful story smith. I am done with reading Before We Visit The Goddessfor now, but I keep thinking about the characters, and I know that a re-reading is in store for the future.” - The Reading Desk

“Divakaruni has created characters to be embraced despite their difficulties with each other; learned from when they stumble and fall; and celebrated as the picked themselves up again. There is grace and compassion in her writing as emotions spike and subside. Life-changing disappointments are tempered with kindness, and at no time does the author chastise a character for her imperfections.” - India Currents

“[Divakaruni is] one of my favorite recent discoveries. Before We Visit the Goddess is full of different voices, going back and forth in time, with beautifully written chapters that could stand on their own as short stories but add layer upon layer of complication, wonder, humanity and empathy when joined together.” - Austin 360

Chitra Banerjee Divakaruni is the author of sixteen books, including Oleander Girl, The Mistress of Spices, Sister of My Heart, Palace of Illusions, One Amazing Thing, and Before We Visit the Goddess. Her work has appeared in The New Yorker, The Atlantic Monthly, and The New York Times, and has won, among other prizes, an American Book Award. Born in India, she currently lives in Texas and is the McDavid professor of Creative Writing at the University of Houston.