Where, or what, is home? What has it meant, historically and personally, to be ‘Italian’ or ‘English’, or both in a culture that prefers us to choose? What does it mean to have roots? Or to have left a piece of oneself somewhere long since abandoned?
In Dandelions, her extraordinary debut, Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. At the heart of this book brimming with the lives of remarkable and apparently unremarkable people is Thea’s grandmother Dirce, a former seamstress, who, now approaching 100, is a repository of tales that are by turns unpredictable, unreliable, significant. And that lead us deeper. There’s the one about Mussolini’s modern Icarus who crashed into the murk of a lake; about the Manchester factory worker who wanted only to be seen; about the shadowy demon who visits in your sleep; and the monument to a murdered politician that, when it rains, runs the colour of blood.
Through the journeys of Dirce and her relatives, from the Friuli to Sheffield and Manchester and back again, a different kind of history emerges, in which self and place are warp and weft, tightly woven, with threads left hazardously trailing.
A family memoir rich in folk legends, food, art, politics and literature, Dandelions heralds the arrival of an exceptional writer: bold, joyful and wise.
‘Dandelions is a book of hauntings, intensely experienced, pierced by occasional terrors, yet irradiated throughout by passionate attachment. Generations of family ghosts wander between Italy and England, their lives summoned from a beloved grandmother’s long memories and the author’s own wide-roaming, often poetic reflections on botany, history and language. Thea Lenarduzzi has spread out before us a feast of sensuous and sensitive, nuanced and deeply appealing testimony to migration, survival, and complicated identities at a time when such thoughtfulness is rare and desperately needed.’
- Marina Warner, author of Inventory of a Life Mislaid
‘Beautifully observed and written with heart and an infectious curiosity, Thea Lenarduzzi's Dandelions parses the complex ways in which we live out our histories and carry the past within us, through ritual, food, language and legend. Like rifling through an overflowing drawer or opening an ancient photo album, Lenarduzzi unearths glinting gems of family fiction, introducing us to a shifting cast of memorable characters whose journeys, stories and passions it's our joy to share.’
- Francesca Wade, author of Square Haunting
‘In this subtle and elegant family memoir, Thea Lenarduzzi gathers the ghost seeds between her present life in England and her family’s past in Italy. A meditation on roots, inheritance and homesickness, Dandelions is also a reminder that what will survive of us is love.’
- Frances Wilson, author of Burning Man
Thea Lenarduzzi is an editor and podcast host for the Times Literary Supplement. Dandelions, winner of the 2020 Fitzcarraldo Editions Essay Prize, is her first book.
Where, or what, is home? What has it meant, historically and personally, to be ‘Italian’ or ‘English’, or both in a culture that prefers us to choose? What does it mean to have roots? Or to have left a piece of oneself somewhere long since abandoned?
In Dandelions, her extraordinary debut, Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. At the heart of this book brimming with the lives of remarkable and apparently unremarkable people is Thea’s grandmother Dirce, a former seamstress, who, now approaching 100, is a repository of tales that are by turns unpredictable, unreliable, significant. And that lead us deeper. There’s the one about Mussolini’s modern Icarus who crashed into the murk of a lake; about the Manchester factory worker who wanted only to be seen; about the shadowy demon who visits in your sleep; and the monument to a murdered politician that, when it rains, runs the colour of blood.
Through the journeys of Dirce and her relatives, from the Friuli to Sheffield and Manchester and back again, a different kind of history emerges, in which self and place are warp and weft, tightly woven, with threads left hazardously trailing.
A family memoir rich in folk legends, food, art, politics and literature, Dandelions heralds the arrival of an exceptional writer: bold, joyful and wise.
‘Dandelions is a book of hauntings, intensely experienced, pierced by occasional terrors, yet irradiated throughout by passionate attachment. Generations of family ghosts wander between Italy and England, their lives summoned from a beloved grandmother’s long memories and the author’s own wide-roaming, often poetic reflections on botany, history and language. Thea Lenarduzzi has spread out before us a feast of sensuous and sensitive, nuanced and deeply appealing testimony to migration, survival, and complicated identities at a time when such thoughtfulness is rare and desperately needed.’
- Marina Warner, author of Inventory of a Life Mislaid
‘Beautifully observed and written with heart and an infectious curiosity, Thea Lenarduzzi's Dandelions parses the complex ways in which we live out our histories and carry the past within us, through ritual, food, language and legend. Like rifling through an overflowing drawer or opening an ancient photo album, Lenarduzzi unearths glinting gems of family fiction, introducing us to a shifting cast of memorable characters whose journeys, stories and passions it's our joy to share.’
- Francesca Wade, author of Square Haunting
‘In this subtle and elegant family memoir, Thea Lenarduzzi gathers the ghost seeds between her present life in England and her family’s past in Italy. A meditation on roots, inheritance and homesickness, Dandelions is also a reminder that what will survive of us is love.’
- Frances Wilson, author of Burning Man
Thea Lenarduzzi is an editor and podcast host for the Times Literary Supplement. Dandelions, winner of the 2020 Fitzcarraldo Editions Essay Prize, is her first book.
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