'A splendid series . . . with a backdrop of the city so vivid you can almost smell it.' The Sunday Telegraph
Winner of the Suntory Mystery Fiction Grand Prize
__________________________________
The twisted maze of Venice's canals has always been shrouded in mystery. Even the celebrated opera house, La Fenice, has seen its share of death ... but none so horrific and violent as that of world-famous conductor, Maestro Helmut Wellauer, who was poisoned during a performance of La Traviata. Even Commissario of Police, Guido Brunetti, used to the labyrinthine corruptions of the city, is shocked at the number of enemies Wellauer has made on his way to the top - but just how many have motive enough for murder? The beauty of Venice is crumbling. But evil is one thing that will never erode with age.
Praise for Through A Glass, Darkly:
Venetian life, and Brunetti's model marriage, are as entertaining as the working out of the whodunit. A joy from start to finish.
Praise for Blood From A Stone:
'The fabulous Donna Leon' Antonia Fraser in the Spectator
Donna Leon is author of the much-loved, best-selling series of novels featuring Commissario Brunetti and one of The Times 50 Greatest Crime Writers. Widely considered one of the best detective series ever, with admirers including Ursula K. Le Guin and Antonia Fraser, the Brunetti Mysteries have won numerous awards around the world and been translated into thirty-five languages.
After teaching English in Saudi Arabia, Iran and China Donna Leon moved to Venice in 1981, having fallen in love with the city, its food, culture and people. A fluent Italian speaker, she lived there for thirty years before moving to Switzerland, though she still spends around a week each month in the City of Bridges - she has said about Venice, 'Where else in the world is everything you look at beautiful?'
Published when she was 49, the idea for Donna Leon's debut novel Death at La Fenice came about when she attended a rehearsal at Venice's Teatro La Fenice opera house. A friend muttered, 'I could kill the conductor', and the idea of the plot was born, along with the character of Guido Brunetti. Feverishly writing the manuscript in between shifts at her day job teaching military personnel at a nearby US Army barracks she left it in a desk for a year before being encouraged by a friend to submit it for the Suntory Mystery Fiction Grand Prize.
Awarded the Prize, along with a two-book publishing contract, Donna Leon has written a new Brunetti mystery every year since. Published in her eightieth year, Give Unto Others is the thirty-first.
'The series that has shadowed Brunetti for three decades is an epic achievement - in its own way quite the equal of Anthony Powell's A Dance to the Music of Time.' - The Times
'Few detective writers create so vivid, inclusive and convincing a narrative as Donna Leon, the expatriate American with the Venetian heart. . . . One of the most exquisite and subtle detective series ever.' - The Washington Post
'Leon started out with offhand, elegant excellence, and has simply kept it up.' - The Guardian
'A splendid series . . . with a backdrop of the city so vivid you can almost smell it.' The Sunday Telegraph
Winner of the Suntory Mystery Fiction Grand Prize
__________________________________
The twisted maze of Venice's canals has always been shrouded in mystery. Even the celebrated opera house, La Fenice, has seen its share of death ... but none so horrific and violent as that of world-famous conductor, Maestro Helmut Wellauer, who was poisoned during a performance of La Traviata. Even Commissario of Police, Guido Brunetti, used to the labyrinthine corruptions of the city, is shocked at the number of enemies Wellauer has made on his way to the top - but just how many have motive enough for murder? The beauty of Venice is crumbling. But evil is one thing that will never erode with age.
Praise for Through A Glass, Darkly:
Venetian life, and Brunetti's model marriage, are as entertaining as the working out of the whodunit. A joy from start to finish.
Praise for Blood From A Stone:
'The fabulous Donna Leon' Antonia Fraser in the Spectator
Donna Leon is author of the much-loved, best-selling series of novels featuring Commissario Brunetti and one of The Times 50 Greatest Crime Writers. Widely considered one of the best detective series ever, with admirers including Ursula K. Le Guin and Antonia Fraser, the Brunetti Mysteries have won numerous awards around the world and been translated into thirty-five languages.
After teaching English in Saudi Arabia, Iran and China Donna Leon moved to Venice in 1981, having fallen in love with the city, its food, culture and people. A fluent Italian speaker, she lived there for thirty years before moving to Switzerland, though she still spends around a week each month in the City of Bridges - she has said about Venice, 'Where else in the world is everything you look at beautiful?'
Published when she was 49, the idea for Donna Leon's debut novel Death at La Fenice came about when she attended a rehearsal at Venice's Teatro La Fenice opera house. A friend muttered, 'I could kill the conductor', and the idea of the plot was born, along with the character of Guido Brunetti. Feverishly writing the manuscript in between shifts at her day job teaching military personnel at a nearby US Army barracks she left it in a desk for a year before being encouraged by a friend to submit it for the Suntory Mystery Fiction Grand Prize.
Awarded the Prize, along with a two-book publishing contract, Donna Leon has written a new Brunetti mystery every year since. Published in her eightieth year, Give Unto Others is the thirty-first.
'The series that has shadowed Brunetti for three decades is an epic achievement - in its own way quite the equal of Anthony Powell's A Dance to the Music of Time.' - The Times
'Few detective writers create so vivid, inclusive and convincing a narrative as Donna Leon, the expatriate American with the Venetian heart. . . . One of the most exquisite and subtle detective series ever.' - The Washington Post
'Leon started out with offhand, elegant excellence, and has simply kept it up.' - The Guardian
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