Review
Almost 35 years [after first publication], Free Play feels wise, relevant and very Zen. In a new foreword, Ruth Ozeki marvels at the freeing notion that every conversation is a form of improvisation. But it's Nachmanovitch's updated afterword that really hits home; in an increasingly unstable world, just to say an honest, authentic word can be utterly transformative - * Observer *
A classic. Nachmanovitch examines the prerequisites of creation, offers concrete strategies for active surrender [and] considers the ultimate impetus of why we are called to create at all . . . altogether vitalising. The remedy for creative block and existential stuckness -- MARIA POPOVA
Nachmanovitch tells it like it is in the most important book on improvisation I've yet seen -- KEITH JARRETT
I absolutely love this book. What a blissful, friendly, fiercely intelligent thing; it expresses truths that I am groping towards in a way that is emboldening and clarifying. I don't think I have ever felt so happy to shout about or recommend a book and I know I will read it again and again -- CATHY RENTZENBRINK
This is the book I've been missing my whole life . . . I am grateful to Stephen Nachmanovitch for sharing his wisdom in these pages. I expect - I hope - to be rereading [Free Play] and practicing with it for the rest of my life -- RUTH OZEKI
Stephen Nachmanovitch has produced a celebration of human uniqueness -- NORMAN COUSINS
Would that Free Play found its way into every school, office, hospital, and factory. It is a most exciting book and a most important one -- YEHUDI MENUHIN
If you want to be intellectually informed about how people actually create things, then you should read it at least once -- ROBERT PIRSIG
Not only gives the reader an inside view of the states of mind that give rise to improvisation, it is also a celebration of the power of the human spirit, which when exercised with love, immense patience and discipline is an antidote to hate -- YO-YO MA on THE ART OF IS
Exceptional . . . The beauty of Free Play is that it is in itself an exquisite manifestation of the very subject the author is talking about. Drawing on musical anecdotes together with wisdom from the world's mystical traditions - Western transcendental philosophy, Sufism, Zen Buddhism - it is little wonder that Stephen's offering has become a literary classic - * The Culturium *
Book Description
A foundational text since 1990 and translated into twelve languages, Free Play is a masterful and joyful meditation on how improvisation can be applied to not just art but the art of living - and in doing so unlock boundless creativity
About the Author
Stephen Nachmanovitch performs and teaches internationally as an improvisational violinist, and at the intersections of performing and multimedia arts, philosophy and ecology. In the 1970s he was a pioneer in free improvisation on violin, viola and electric violin. He has presented masterclasses and workshops at many conservatoires and universities, and has had numerous appearances on radio, television and festivals. He is the author of two books on the creative process: Free Play and The Art of Is. He lives with his family in Virginia.
freeplay.com
Ruth Ozeki is a novelist, filmmaker and Zen Buddhist priest. She is the author of four novels including The Book of Form and Emptiness, which won the Women's Prize for Fiction, and A Tale for the Time Being, which was shortlisted for the Man Booker Prize and translated into 28 languages. Ozeki has also written a short memoir, Timecode of a Face. She is affiliated with the Everyday Zen Foundation and lives in Northampton, Massachusetts, where she teaches creative writing at Smith College and is the Grace Jarcho Ross 1933 Professor of Humanities.
ruthozeki.com
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