‘Like Anna Karenina and Madame Bovary, Ernaux’s affair should be counted as one of the great liaisons of literature.... I suspect the book will become a kind of totem for lovers: a manual to help them find their centre when, like Ernaux, they are lost in love. All her books have the quality of saving frail human details from oblivion. Together they tell, in fragments, the story of a woman in the twentieth century who has lived fully, sought out pain and happiness equally and then committed her findings truthfully on paper. Her life is our inheritance.’
- Ankita Chakraborty, Guardian

‘The almost primitive directness of her voice is bracing. It’s as if she’s carving each sentence onto the surface of a table with a knife.... Getting Lost is a feverish book. It’s about being impaled by desire, and about the things human beings want, as opposed to the things for which they settle... it’s one of those books about loneliness that, on every page, makes you feel less alone.’
- Dwight Garner, New York Times

‘Ernaux has once more created a living document of existential terror and hope.’
- Catherine Taylor, Irish Times

‘With Getting Lost, Annie Ernaux goes for broke. The bed, the site of her pleasure, is to her what the gaming table is to the gambler, the bottle to the alcoholic, the syringe to the addict. The nexus of all danger. The goal is not, as she seems to believe and tries to make us believe, the necessity of passion: it is in reality only a pretext for her to risk her life.’
- Martine de Rabaudy, L'Express

‘From the very first lines, we feel ourselves, like her, caught up in the vertigo of waiting, obsessed by the telephone that never rings, time that passes too quickly and the meetings that become less frequent. Love, death and literature are constantly intertwined in this story that plunges us into the intimacy of a couple, without ever giving us the impression of being voyeurs.’
- Pascale Frey, ELLE

‘Reading her is like getting to know a friend, the way they tell you about themselves over long conversations that sometimes take years, revealing things slowly, looping back to some parts of their life over and over.’
- Joanna Biggs, London Review of Books

‘Annie Ernaux is one of my favorite contemporary writers, original and true. Always after reading one of her books, I walk around in her world for months.’
- Sheila Heti, author of Motherhood

‘I find her work extraordinary.’
- Eimear McBride, author of A Girl is a Half-Formed Thing

‘Ernaux has inherited de Beauvoir’s role of chronicler to a generation.’
- Margaret Drabble, New Statesman

‘Across the ample particularities of over forty years and twenty-one books, almost all short, subject-driven memoirs, Ernaux has fundamentally destabilized and reinvented the genre in French literature.’
- Audrey Wollen, The Nation

Born in 1940, Annie Ernaux grew up in Normandy, studied at Rouen University, and later taught at secondary school. From 1977 to 2000, she was a professor at the Centre National d’Enseignement par Correspondance. Her books, in particular A Man’s Place and A Woman’s Story, have become contemporary classics in France. In 2022, she was awarded the Nobel Prize in Literature.

Alison L. Strayer is a Canadian writer and translator. Her work has been shortlisted for the Governor General’s Award for Literature and for Translation, the Grand Prix du Livre de Montréal, and longlisted for the Prix Albertine. Her translation of The Years was awarded the 2018 French-American Prize, shortlisted for the Man Booker International Prize in 2019, and awarded the Warwick Prize for Women in Translation, honouring both author and translator.