Lonely, middle-aged, at a personal and professional dead-end, Iti Arya flees the towers and bright lights of Gurgaon for The Dacha, a remote cottage in the Kumaon Himalayas where she had spent perhaps the happiest years of her childhood. Over the course of that single monsoon in the hills, in the company of two grandmothers—ninety-something Badi Amma and Rosinka Paul Singh, aged one hundred and two—and a mysterious girl who may be her sister, Iti will make peace with her approximate life and quiet desolation. She will witness the vanity of youth, but also its vulnerability and tenderness; the indignities of age, and also its courage and consolations. She will submit to life and the eternal spirit of the mountains.
With Never Never Land, Namita Gokhale shows, again, why she is one of India’s most original and daring writers, with an extraordinary understanding of the human condition.
Lonely, middle-aged, at a personal and professional dead-end, Iti Arya flees the towers and bright lights of Gurgaon for The Dacha, a remote cottage in the Kumaon Himalayas where she had spent perhaps the happiest years of her childhood. Over the course of that single monsoon in the hills, in the company of two grandmothers—ninety-something Badi Amma and Rosinka Paul Singh, aged one hundred and two—and a mysterious girl who may be her sister, Iti will make peace with her approximate life and quiet desolation. She will witness the vanity of youth, but also its vulnerability and tenderness; the indignities of age, and also its courage and consolations. She will submit to life and the eternal spirit of the mountains.
With Never Never Land, Namita Gokhale shows, again, why she is one of India’s most original and daring writers, with an extraordinary understanding of the human condition.
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