‘A strange, sly and self-assured novel, in which both nothing and everything happens…. There is a great deal of freight on board One Boat, but it packs so neatly into 168 pages that it never feels overburdened. This is a novel to be returned to as a place in which to think, just as Teresa returns to her Greek town.’
- Frances Wilson, Times Literary Supplement

‘Exactly why Buckley is not already revered and renowned as a novelist in the great European tradition remains a mystery that will perhaps only be addressed at that final godly hour when all the overlooked authors working in odd and antique modes will receive their just rewards.’
- Ian Sansom, Times Literary Supplement

‘Buckley has once again staged an absorbing debate: a philosophical refusal of narrative linearity that is replete with stories; a constellation of episodes that does not tell the whole tale.’
- Richard Robinson, Guardian (praise for Tell)

‘Tell is one of the best new novels I’ve read in a while.’
- Benjamin Markovits, Telegraph (praise for Tell)

‘Given that so many of Buckley’s novels are concerned with ideas of memory, selfhood and storytelling, this is hardly new territory for him. Yet the interview conceit in Tell makes it feel fresh, the withholding of interiority requiring an unusual engagement. Don’t take the conversational prose at face value; underneath it lies a whole other set of mysteries besides Curtis’s. Pay attention and you’ll find them.’
- George Cochrane, Financial Times (praise for Tell)

‘Always well crafted, this novel is engaging in parts and digressive in others, which adds to its realism, capturing how people chatter their way down alleys, rarely hewing to the main road of a tale…. The buildup in Tell is perpetual, a sense that an explana