"It is no wonder that Signorini was moved to assemble collages that embrace the span of time that clearly resonated with Dickens as he explored Italy. Images from antiquarian books cozy up to Photoshop embellishments like enlarged rigatoni, made even more impressive by the gatefold pages across which these compositions spread, complementing Dickens's running theme of the moment being everything and nothing, honoring the poignancy of stone, water, light, and shadow. " - "Imprint," Print Magazine Pictures from Italy, one of Charles Dickens' earlier works, is a whimsical foray into the twin worlds of travel and the imagination. Italian artist Livia Signorini plays with Dickens' sense of place, memory, and politics. The result is a brilliant contemporary dialogue with his work that renews our sense of his enduring vision. An extraordinary work that is as much about travel writing as it is about Dickens' journey to Italy itself, this handsome volume features 11 full-color gate folds.
"It is no wonder that Signorini was moved to assemble collages that embrace the span of time that clearly resonated with Dickens as he explored Italy. Images from antiquarian books cozy up to Photoshop embellishments like enlarged rigatoni, made even more impressive by the gatefold pages across which these compositions spread, complementing Dickens's running theme of the moment being everything and nothing, honoring the poignancy of stone, water, light, and shadow. " - "Imprint," Print Magazine Pictures from Italy, one of Charles Dickens' earlier works, is a whimsical foray into the twin worlds of travel and the imagination. Italian artist Livia Signorini plays with Dickens' sense of place, memory, and politics. The result is a brilliant contemporary dialogue with his work that renews our sense of his enduring vision. An extraordinary work that is as much about travel writing as it is about Dickens' journey to Italy itself, this handsome volume features 11 full-color gate folds.
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