Synopsis
Beautifully presented in two volumes, Taklung Painting: A Study in Chronology establishes a reliable foundation for assigning dates to nearly one hundred paintings associated with Taklung Monastery in central Tibet and its sister monastery, Riwoche in eastern Tibet. Using visual lineages (the succession of teachers represented in the top, side, and, occasionally, the bottom registers of paintings), inscriptions, narrative scenes (in which principal structures in the Taklung Monastery compound may be linked to specific dates), and style analysis, the author identifies
Jane Casey is an art historian specializing in Himalayan art. Educated in the History of Science (A.B.) and in Fine Arts (A.M. and Ph.D.) at Harvard University, since 1991 she has worked as an independent art historian, curating exhibitions at The Metropolitan Museum of Art in New York and at Casa Asia, Barcelona. She is a Guest Professor at the Zhejiang University Center for Buddhist Art in Hangzhou and a Research Fellow in Tibetan Art at the Palace Museum in Beijing.
Synopsis
Beautifully presented in two volumes, Taklung Painting: A Study in Chronology establishes a reliable foundation for assigning dates to nearly one hundred paintings associated with Taklung Monastery in central Tibet and its sister monastery, Riwoche in eastern Tibet. Using visual lineages (the succession of teachers represented in the top, side, and, occasionally, the bottom registers of paintings), inscriptions, narrative scenes (in which principal structures in the Taklung Monastery compound may be linked to specific dates), and style analysis, the author identifies
Jane Casey is an art historian specializing in Himalayan art. Educated in the History of Science (A.B.) and in Fine Arts (A.M. and Ph.D.) at Harvard University, since 1991 she has worked as an independent art historian, curating exhibitions at The Metropolitan Museum of Art in New York and at Casa Asia, Barcelona. She is a Guest Professor at the Zhejiang University Center for Buddhist Art in Hangzhou and a Research Fellow in Tibetan Art at the Palace Museum in Beijing.
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