'Grand and gorgeous and brave... A novel that is an ambitious delight, with rich characters and some exceptionally lovely writing.' New York Times
'In lively, beautiful prose that seems to almost dance across the page, Khan expertly repackages gothic and supernatural tropes into a richly imagined coming of age treat.' Daily Mail
'Filled with wonder and colour... I was enthralled and completely swept away.' Yangsze Choo, bestselling author of The Night Tiger
'With its shades of The House of Spirits and Rebecca, is one of the best books I've read this year... Gorgeous.' Sarah Addison Allen, NYT-bestselling author of Garden Spells
'A dark and heady dream of a book, which reveals itself in layers as a gothic horror, a tragic romance, and a classic coming-of-age tale. Hauntingly gorgeous.' Alix E. Harrow, author of The Ten Thousand Doors of January
'A cracking novel... Shubnum Khan unfolds a devastating history woven into the present with mastery and poise.' Jennifer Nansubuga Makumbi, author of The First Woman
'An utterly intoxicating novel that hums with life... Full of mirth and full of gore. Its pages will leave you breathless, haunted.' Karina Lickorish Quinn, author of The Dust Never Settles
'Lush, sweeping, gloriously eerie... Shubnum Khan is a writer of rare and luminous imagination.'Violet Kupersmith, author of Build Your House Around My Body
'South African novelist Khan blends gothic tropes with Indian mythology in her poignant [UK] debut... Playful and evocative.' Publishers Weekly
'Beautiful, just beautiful... Filled with everything that makes for an absorbing read: love, intrigue, conflict, mystique, and so much character.' Siphiwe Gloria Ndlovu, author of the City of Kings trilogy
'The Djinn Waits A Hundred Years is a cinematic spectacular, rife with doomed love and vengeful spirits and a lurking violence always waiting to pounce. Shubnum Khan has written a gorgeous gothic mystery, a fascinating meditation on the nature of forgiveness and time.' Julia Fine, author of Maddalena and the Dark
Shubnum Khan is a South African author and artist. Her first novel, Onion Tears (Penguin South Africa, 2011) was shortlisted for the Penguin Prize for African Writing and the University of Johannesburg Debut Fiction Prize. Her writing has also appeared in The New York Times, McSweeney's, HuffPost, Oprah Magazine, The Sunday Times, Marie Claire, and others. She has a degree in Media Studies and a Master's in English from the University of KwaZulu-Natal. Her essay collection, How I Accidentally Became a Stock Photo was published in South Africa and India by Pan Macmillan in 2021.
'Grand and gorgeous and brave... A novel that is an ambitious delight, with rich characters and some exceptionally lovely writing.' New York Times
'In lively, beautiful prose that seems to almost dance across the page, Khan expertly repackages gothic and supernatural tropes into a richly imagined coming of age treat.' Daily Mail
'Filled with wonder and colour... I was enthralled and completely swept away.' Yangsze Choo, bestselling author of The Night Tiger
'With its shades of The House of Spirits and Rebecca, is one of the best books I've read this year... Gorgeous.' Sarah Addison Allen, NYT-bestselling author of Garden Spells
'A dark and heady dream of a book, which reveals itself in layers as a gothic horror, a tragic romance, and a classic coming-of-age tale. Hauntingly gorgeous.' Alix E. Harrow, author of The Ten Thousand Doors of January
'A cracking novel... Shubnum Khan unfolds a devastating history woven into the present with mastery and poise.' Jennifer Nansubuga Makumbi, author of The First Woman
'An utterly intoxicating novel that hums with life... Full of mirth and full of gore. Its pages will leave you breathless, haunted.' Karina Lickorish Quinn, author of The Dust Never Settles
'Lush, sweeping, gloriously eerie... Shubnum Khan is a writer of rare and luminous imagination.'Violet Kupersmith, author of Build Your House Around My Body
'South African novelist Khan blends gothic tropes with Indian mythology in her poignant [UK] debut... Playful and evocative.' Publishers Weekly
'Beautiful, just beautiful... Filled with everything that makes for an absorbing read: love, intrigue, conflict, mystique, and so much character.' Siphiwe Gloria Ndlovu, author of the City of Kings trilogy
'The Djinn Waits A Hundred Years is a cinematic spectacular, rife with doomed love and vengeful spirits and a lurking violence always waiting to pounce. Shubnum Khan has written a gorgeous gothic mystery, a fascinating meditation on the nature of forgiveness and time.' Julia Fine, author of Maddalena and the Dark
Shubnum Khan is a South African author and artist. Her first novel, Onion Tears (Penguin South Africa, 2011) was shortlisted for the Penguin Prize for African Writing and the University of Johannesburg Debut Fiction Prize. Her writing has also appeared in The New York Times, McSweeney's, HuffPost, Oprah Magazine, The Sunday Times, Marie Claire, and others. She has a degree in Media Studies and a Master's in English from the University of KwaZulu-Natal. Her essay collection, How I Accidentally Became a Stock Photo was published in South Africa and India by Pan Macmillan in 2021.
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