‘That’s a rather dangerous method,’ Montalbano observed . . .
When Montalbano’s colleague, Mimì Augello, accidentally discovers a dead body whilst hiding from his lover’s husband, it seems like an unfortunate occurrence. But when another body is found not long after, Inspector Montalbano can’t help but wonder if the two deaths are connected.
Luckily for the inspector, the second victim is Carmelo Catalanotti, an infamous director known for his acting method in which he digs into the psyche of the cast to unleash their inner talent – a traumatic experience for all. And with so many of his actors harbouring grudges, it shouldn’t be too hard to find someone with a motive . . .
‘Among the most exquisitely crafted pieces of crime writing available today . . . Simply superb’ Sunday Times
‘Montalbano’s colleagues, chance encounters, Sicilian mores, even the contents of his fridge are described with the wit and gusto that make this narrator the best company in crime fiction today’ Guardian
‘That’s a rather dangerous method,’ Montalbano observed . . .
When Montalbano’s colleague, Mimì Augello, accidentally discovers a dead body whilst hiding from his lover’s husband, it seems like an unfortunate occurrence. But when another body is found not long after, Inspector Montalbano can’t help but wonder if the two deaths are connected.
Luckily for the inspector, the second victim is Carmelo Catalanotti, an infamous director known for his acting method in which he digs into the psyche of the cast to unleash their inner talent – a traumatic experience for all. And with so many of his actors harbouring grudges, it shouldn’t be too hard to find someone with a motive . . .
‘Among the most exquisitely crafted pieces of crime writing available today . . . Simply superb’ Sunday Times
‘Montalbano’s colleagues, chance encounters, Sicilian mores, even the contents of his fridge are described with the wit and gusto that make this narrator the best company in crime fiction today’ Guardian
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