'This volume provides a rich feast of materials for anyone interested in the visual cultures and history of visual representation in South Asia and is notable as well for its fascinating exploration of the intersection of Western and local photographic practices.'
--PROFESSOR DAVID MacDOUGALL "The Australian National University "'This is a remarkable, genuinely interdisciplinary collection, and both a marvellously rich addition to the study of the life of visual images in South Asia, and a highly sophisticated contribution to debates of the interdisciplinary study of visual culture.'
--PROFESSOR JAMES LAIDLAW "William Wyse Professor of Social Anthropology, Head of Division, Social Anthropology. Fellow, King's College, University of Cambridge "'This is a unique and excellent contribution to the field of South Asian visual studies, art history and cultural analysis. This text takes an interdisciplinary approach while keeping its focus on the visual, on material cultural and on art and aesthetics. It brings together empirically rich and theoretically sophisticated analysis on representations from colonial and post-colonial eras ranging from colonial era photography to "tribal art," temple and video art. In doing so it bridges a major gap in our understanding of South Asia's modern history by using the idiom of visual culture and the politics of representation.'
--PROFESSOR KAMRAN ASDAR ALI "Director of South Asia Institute, University of Texas, Austin "'This is an outstanding contribution to a timely and relevant focus
'This volume provides a rich feast of materials for anyone interested in the visual cultures and history of visual representation in South Asia and is notable as well for its fascinating exploration of the intersection of Western and local photographic practices.'
--PROFESSOR DAVID MacDOUGALL "The Australian National University "'This is a remarkable, genuinely interdisciplinary collection, and both a marvellously rich addition to the study of the life of visual images in South Asia, and a highly sophisticated contribution to debates of the interdisciplinary study of visual culture.'
--PROFESSOR JAMES LAIDLAW "William Wyse Professor of Social Anthropology, Head of Division, Social Anthropology. Fellow, King's College, University of Cambridge "'This is a unique and excellent contribution to the field of South Asian visual studies, art history and cultural analysis. This text takes an interdisciplinary approach while keeping its focus on the visual, on material cultural and on art and aesthetics. It brings together empirically rich and theoretically sophisticated analysis on representations from colonial and post-colonial eras ranging from colonial era photography to "tribal art," temple and video art. In doing so it bridges a major gap in our understanding of South Asia's modern history by using the idiom of visual culture and the politics of representation.'
--PROFESSOR KAMRAN ASDAR ALI "Director of South Asia Institute, University of Texas, Austin "'This is an outstanding contribution to a timely and relevant focus
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