A cascading effect of events unravels in Banaras: on its ghats and in its lanes. Myriad lanes emerge like an umbilical cord out of the ghats to the womb of the sacred geography, to the infinite spots where the believers pause to experience the divine. Its waterfront, a grid of staircase leads one’s vision up and the eye meets a world that is frantic of the mundane and magnum opus, a scene that appears chaotic yet in sync. In Banaras: Of Gods, Humans and Stories, Nilosree and Irfan discern the engaging narrative of a unique chromosome that makes Banaras. Traversing within the maze, its sacred topography, craft traditions, and gastronomic plethora, the book examines the tenets of its weave. There is a singular, unified, and unstoppable momentum to all this—akin to the unfolding of a scroll of a painting. Praises for the book: ‘A lovingly-written and profoundly personal meditation on the City of Light in all its different dimensions and avatars. Vaulting from mythology to history and back through the ancient scriptures and epics to the living landscape, this is a warmly affectionate love-letter to the holiest of all Indian cities.’ -- William Dalrymple. ‘Banaras, as Nilosree Biswas reminds us, is a maze. its wonderfully diverse mythologies, histories, and peoples. The abode of gods is also home to aarti pujas and traders’ boats that the Ganga hosts, the music of bhajans and breezy kajris, and more. Biswas and photographer Irfan Nabi usher us into this world with the deftness of their craft, helping us gain our bearings in this maze, where sacred Kashi and profane cash are always opposed yet intimate.’ Jonathan Gil Harris.

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