This book explores an important, however overlooked aspect of the artistic relationships between India, China, and Southeast Asia. It presents a fresh perspective and uncovers a history that has not been studied in this way before. The author, drawing on his extensive knowledge of the visual arts from South, East, and Southeast Asia, does an excellent job of highlighting these connections. Art historians, practising artists, and scholars interested in intra-Asian cultural relations and the enriching influence of artistic exchanges across the region should widely read this book. It significantly reorients the understanding of Indian art history during the early modern and modern periods, situating it within the context of influences not only from the West but, importantly, from the East as well.