'To read Scott Timberg's newly published collection of essays, Boom Times for the End of the World, is to experience both a rush of cultural stimulation and an overwhelming sense of sadness. Timberg, who loved Los Angeles and culture journalism with an intense passion, was among the essential chroniclers of the city [...] Boom Times is both a celebration of a prodigious talent and a valediction for a lost soul. – Chris Vognar, Los Angeles Times

'Timberg proves himself an authority on [Los Angeles] and its enthrallment to "fantasy, boosterism, and magical thinking." This is a fitting testament to a skilled cultural critic.' – Publishers Weekly

'Boom Times' 26 pieces spanning 16 years [...] report on the characters and scenes that made Los Angeles an endless source of fascination for Scott Timberg. [...] For Scott, journalism really was the literature of civic life, and what mattered most to him was the conversation between the public and the culture; that conversation was Scott's lifeblood.' – Joe Donnelly, Los Angeles Review of Books

'Scott was a polymath. He could write knowledgeably, and passionately, about a variety of topics: from literature to rock music, from popular culture to film to visual art. For another journalist, that might have been a stretch. For Scott, it was all part of the job. Just look at the pieces in Boom Times.' – David Ulin, Alta Journal

'Boom Times for the End of the World is Timberg's posthumous collection of essays and reflections from the last two decades, written with verve, curiosity, and refreshing sincerity. [...] At its most vulnerable, Timberg's collection feels like a journal from a society's last days, dispatches from some distant outpost right up until the signal went dead. [...] Timberg's work in Boom Times rarely indulges the despair. His dedication to art's role in society never wavers.' – Marius Sosnowski, ZYZZYVA

'For over two decades, Scott Timberg was one of Los Angeles's most prolific journalists championing artists, musicians, writers, architects and filmmakers. [...] The twenty-six essays in this posthumous collection showcase his prescient eye, omnivorous mind and the deep longing behind his words.' – Mike Sonksen, L.A. Taco

'A perfect journalistic valediction from one of LA's finest commentators.' – Richard Thompson, singer-songwriter, author of Beeswing: Losing My Way and Finding My Voice 1967–1975

'Scott knew many things; to paraphrase Isaiah Berlin, he was a fox, not a hedgehog, and this collection is the proof.' – Dean Wareham, founder of Galaxie 500 and Luna, author of Black Postcards: A Memoir

'There was no one else on the West Coast quite like Scott Timberg – the most versatile and free-wheeling culture critic of his generation. Boom Times for the End of the World is the insightful, entertaining, and excruciating chronicle of America's cultural crash.' – Dana Gioia, former California Poet Laureate, author of Meet Me at The Lighthouse

'In an era of edgy hot takes and glib quick-hits, there is something soul satisfying in hearing Scott's erudite voice again. A ravenous researcher, deep thinker and elegant wordsmith, Scott put his full heart into everything. Sitting next to Scott for years in the newsroom, I always looked forward to hearing his first-draft reflections of what he had just seen, heard, or walked through. He was drafting even before he sat down in his chair, connecting the dots, eager to get his thoughts down, to share it with us all. It's such a gift to finally have some of his finest observations and meditations collected between two covers.' – Lynell George, author of A Handful of Earth, A Handful of Sky

Scott Timberg, a former arts reporter for the LA Weekly and the Los Angeles Times, wrote on music and culture and was a contributor to Salon, the New York Times, and Vox. He was an award-winning journalist, a blogger on West Coast culture, and an adjunct writing professor. His previous book, Culture Crash: The Killing of the Creative Class, was published in 2015 by Yale University Press. Richard Brody of the New Yorker called Culture Crash "a quietly radical rethinking of the very nature of art in modern life," and Ben Downing, writing in the Wall Street Journal, said, "Mr. Timberg succeeds in assembling a large, coherent, and troubling mosaic . . . weaving all manner of information and opinion into a fluent narrative of cultural decline." Timberg died by suicide on 10 December 2019 in Los Angeles. He was fifty years old.