A colorful excursion through the French Impressionists’ gardens, from Courbet and Degas to Renoir and Manet
In the Gardens of Impressionism fully explores—from Manet’s Tuileries to Monet’s Giverny—with dazzling visual accompaniment, the Impressionist love affair with the new thinking about garden and landscape design that swept nineteenth-century France.
Author Clare Willsdon discusses the artists’ complementary roles as painters and as gardeners, and offers exciting new interpretations of their art, informed by source material such as popular gardening manuals of the day. She also looks at the garden, public or private, as a new kind of space with political undertones, and relates it to the Impressionists’ adoption of plein-air techniques. In her analysis of specific works, their historical and horticultural context is presented in a clear, informative, and engaging manner including musings from such literary figures as Baudelaire, Duranty, Daudet, and Zola. Lively discussion of the artists’ private lives gives the text another satisfying perspective.
Review
'Elegantly and lucidly written, and blessedly free from jargon' - Gardens Illustrated
'A luscious landscape of a book, showing how these artists adopted the plein air style' - Financial Times
'Takes the reader on an exhilarating stroll past light-dappled lily ponds and through Parisian parks ' - The Times
'Ravishing' - Guardian
'Lots of lovely pictures, but the text is serious and informative' - Sunday Times
'A millefeuille tapestry of observation, comparison and literary and philosophical analogy' - Apollo
'Hugely enriches our understanding of the sensual culture in which Impressionist garden painting flourished' - Art Quarterly
'A book that pleases both the mind and eye with intelligent new analysis of a beloved Impressionist subject' - Royal Academy Magazine
'Anyone interested in the Impressionists must obviously have this book, but it is a significant addition to the garden shelf as well' - The Art Newspaper
About the Author
Clare Willsdon is Professor of the History of Western Art at the University of Glasgow. She has made a special study of the relationship between the artistic and literary worlds in nineteenth-century France. Her book Mural Painting in Britain 1840–1940 was awarded the prize for the best single-authored book in 2002–2003 by the American Historians of British Art.