Italo Calvino (1923-1985) was born in Cuba and grew up in San Remo, Italy. He began as an essayist and a journalist but is best known for his fiction, including Invisible Cities, If On a Winter's Night a Traveler, Marcovaldo, and Mr. Palomar.
--This text refers to an out of print or unavailable edition of this title."In Last Comes the Raven, a collection of early stories, we find the man behind the magician . . . Calvino was drawn to narratives as pure and potent objects; in this collection, he examines but does not deconstruct them . . . There is the author’s trademark ironic distance and careful wit, as well as tinges of surrealism. But, where the mature Calvino found a style that was supremely arch, alien, and spare, his more mimetic stories retain the funk of the human . . . The reader of Last Comes the Raven registers a bloom of social feelings: sympathy, recognition, curiosity." —Katy Waldman, The New Yorker —
--This text refers to an out of print or unavailable edition of this title.Italo Calvino (1923-1985) was born in Cuba and grew up in San Remo, Italy. He began as an essayist and a journalist but is best known for his fiction, including Invisible Cities, If On a Winter's Night a Traveler, Marcovaldo, and Mr. Palomar.
--This text refers to an out of print or unavailable edition of this title."In Last Comes the Raven, a collection of early stories, we find the man behind the magician . . . Calvino was drawn to narratives as pure and potent objects; in this collection, he examines but does not deconstruct them . . . There is the author’s trademark ironic distance and careful wit, as well as tinges of surrealism. But, where the mature Calvino found a style that was supremely arch, alien, and spare, his more mimetic stories retain the funk of the human . . . The reader of Last Comes the Raven registers a bloom of social feelings: sympathy, recognition, curiosity." —Katy Waldman, The New Yorker —
--This text refers to an out of print or unavailable edition of this title.Subscribe to get Email Updates!
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