At their best, these haiku - full of rain, land clouds, plums and (like the Japanese) cherries, domestic life, city vistas and uncliched vignettes of the abundant nature for which his land is renowned - richly exemplify the three defining features which Tony Conran has isolated as the essence of haiku: 'loneliness, tenderness and slenderness'. Then there are the characteristic attributes of brevity, concision, simplicity, presence, sensory directness and present-tense immediacy.
There's a quality of profound attention, often to minutiae and a sharpness of observation mediated by down-to-earth, unembellished language. The quality of his haiku writing has already been recognized in Wales, where the leading cultural magazine Planet: The Welsh Internationalist has recently published in its pages a selection of his haiku. One looks forward, now, to seeing what ripples they might make on the still youthful haiku scene of India.
Kynpham Sing Nongkynrih writes poems, short fiction and drama in Khasi and English. He has a total of thirteen publications in Khasi. His collections of poetry in English include Moments, The Sieve and The Yearning of Seeds (HarperCollins). He is the author of Around the Hearth: Khasi Legends (Penguin) and the co-editor of Dancing Earth: An Anthology of Poetry from North-East India (Penguin).
His poetry has been widely published in national and international journals, including The New Welsh Review (Cardiff), Planet: The Welsh Internationalist (Aberystwyth, Wales), Karavan (Stockholm), PEN International (London), The Literary Review (New Jersey), Wasafiri (London), Modern Haiku (Lincoln, USA), Simply Haiku (Pasadena, USA), Poetry International Web (Rotterdam) and The Heron's Nest (Nassau, USA). His awards include the first Veer Shankar Shah-Raghunath Shah National Award for literature (Madhya Pradesh, 2008) and the first North-East Poetry Award (Tripura, 2004). He also received a Fellowship for Outstanding Artists from the Government of India in 2000.
At their best, these haiku - full of rain, land clouds, plums and (like the Japanese) cherries, domestic life, city vistas and uncliched vignettes of the abundant nature for which his land is renowned - richly exemplify the three defining features which Tony Conran has isolated as the essence of haiku: 'loneliness, tenderness and slenderness'. Then there are the characteristic attributes of brevity, concision, simplicity, presence, sensory directness and present-tense immediacy.
There's a quality of profound attention, often to minutiae and a sharpness of observation mediated by down-to-earth, unembellished language. The quality of his haiku writing has already been recognized in Wales, where the leading cultural magazine Planet: The Welsh Internationalist has recently published in its pages a selection of his haiku. One looks forward, now, to seeing what ripples they might make on the still youthful haiku scene of India.
Kynpham Sing Nongkynrih writes poems, short fiction and drama in Khasi and English. He has a total of thirteen publications in Khasi. His collections of poetry in English include Moments, The Sieve and The Yearning of Seeds (HarperCollins). He is the author of Around the Hearth: Khasi Legends (Penguin) and the co-editor of Dancing Earth: An Anthology of Poetry from North-East India (Penguin).
His poetry has been widely published in national and international journals, including The New Welsh Review (Cardiff), Planet: The Welsh Internationalist (Aberystwyth, Wales), Karavan (Stockholm), PEN International (London), The Literary Review (New Jersey), Wasafiri (London), Modern Haiku (Lincoln, USA), Simply Haiku (Pasadena, USA), Poetry International Web (Rotterdam) and The Heron's Nest (Nassau, USA). His awards include the first Veer Shankar Shah-Raghunath Shah National Award for literature (Madhya Pradesh, 2008) and the first North-East Poetry Award (Tripura, 2004). He also received a Fellowship for Outstanding Artists from the Government of India in 2000.
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